{"title":"Asia","description":null,"products":[{"product_id":"antique-japanese-kutani-aka-e-vase-meiji-period-1868-1913","title":"Antique Japanese Kutani Aka-e Vase, Meiji Period (1868–1912)","description":"A finely painted Japanese Kutani porcelain vase in the classic aka-e (\"red picture\") style. The small ovoid form is wrapped in a rich iron-red ground and densely decorated with robed Chinese-style figures and karako (playful boys) among stylized pine, chrysanthemum rosettes, and scrolling clouds, all drawn in fine red line-work and heightened with gold (kinsai). The shoulder carries a band of green foliate motifs, and the base bears a hand-painted green square \"九谷\" (Kutani) seal, the traditional origin mark of Kutani ware, set within a softly crackled glaze consistent with Meiji-period aka-e production.\u003cbr\u003e\u003cbr\u003eThis decoration and palette are characteristic of Saikō (\"revived\") Kutani of the Meiji period (1868–1912), the era when Kutani kilns produced highly detailed aka-e wares in gold and red for both domestic use and export. Minor wear to the gilding and glaze crackle are consistent with age.\u003cbr\u003e\u003cbr\u003eEra: 1868–1912\u003cbr\u003eDimensions: 5.5 in across, 1 in mouth\u003cbr\u003eCarrying the soft patina that only time can give; significant flaws are always detailed above.","brand":"Handmade","offers":[{"title":"Default Title","offer_id":48895198658815,"sku":null,"price":498.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/7a8935d6-0df4-45ae-9885-3f8c20fd7843_71743f9b-0961-46a5-b62e-46a93c111b33.jpg?v=1785145051"},{"product_id":"1900-1920s-japanese-shunga-book-tokyo-rain-meiji-taisho-ukiyo-e-erotica","title":"1900-1920s Japanese Shunga Book, \"Tokyo Rain\", Meiji–Taishō Ukiyo-e Erotica","description":"\u003cp\u003ePrice available upon request. This piece is currently being reviewed for museum acquisition; serious inquiries from private collectors welcome.\u003cbr\u003e\u003cbr\u003eAn old paper book that keeps its secrets behind a cover of a woman seen from behind, her hair dressed high. Titled 東京の雨 (Tōkyō no Ame, \"Tokyo Rain\"), this is a soft-cover enpon, an illustrated erotic book in the shunga tradition, the candid corner of ukiyo-e (the pleasure-seeking urban culture of Edo-period Japan) that flourished from the Edo period (1600-1868) onward and that even masters like Hokusai and Utamaro worked in.\u003cbr\u003e\u003cbr\u003eHand-stitched in the traditional Japanese stab-binding style (fukurotoji), it pairs full illustrated plates, some in color, some in fine vermilion and black line-work, with pages of printed text. A genuine antique object rather than a modern reprint, for collectors of ukiyo-e and Japanese print history.\u003cbr\u003e\u003cbr\u003eEstimated era: Meiji to Taishō, roughly 1900s–1920s, likely around 100 years old, read from the paper, the hand-stitched binding, and the printing.\u003cbr\u003e\u003cbr\u003eDetails: 54 pages with color and black-and-white illustrations. \u003cbr\u003e\u003cbr\u003eDimensions: 8.5\" × 6\"\u003cbr\u003e\u003cbr\u003eThis object belongs to a tradition called shunga (春画, literally \"spring pictures\", \"spring\" was a euphemism for s*x). More specifically, the booklet format is called an enpon (艶本 \/ 艶本, \"erotic book\"), which was the most common way shunga circulated, far more than the single famous prints people think of today. These works were widely circulated and formed an accepted part of popular visual culture. \u003cbr\u003e\u003cbr\u003eOn the timeline: the roots go back much further than the Edo period. As early as the 700s, the courtier class had handscrolls with explicit illustrations, and by the 17th century woodblock printing had emerged, making it easier to distribute the work quickly and widely. The Japanese tradition was also shaped from abroad, early Chinese sex manuals influenced Japanese erotic art. \u003cbr\u003e\u003cbr\u003eWhat makes the genre historically interesting is how mainstream it was. Despite being disapproved of by the military government, it was popular with all social classes during the Edo period. It wasn't a fringe underground product: newlyweds sometimes received shunga for educational purposes, samurai carried the illustrations into battle as lucky charms, and married couples kept books at home to view with visiting friends. Traveling lending libraries even brought the art to rural areas. That lending-library detail is worth holding onto, it's part of why so many of these survive in worn, well-thumbed condition like this one. \u003cbr\u003e\u003cbr\u003eThe legal backdrop matters for dating and for why explicit material kept being produced anyway. There were repeated governmental attempts to suppress shunga; the first was a Tokugawa edict in 1661 banning erotic books known as kōshokubon (\"lewdness books\"). The various bans only had the effect of driving an already-prolific trade clandestine. So production continued underground through the 18th and 19th centuries.\u003cbr\u003e\u003cbr\u003eThe famous shunga are luxury woodblock-printed books by named ukiyo-e masters: Utamaro's Utamakura (1788), Hokusai's work, and so on. This one is a fine printed edition, a carved type. That suggests it's a commercial art-print edition. That's common: alongside the deluxe printed books there was a large body of cheaper hand-copied erotic\/instructional material that ordinary people made and passed around. The hand-copied being less valuable as \"art\" than a signed printed Utamaro.\u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give. Sold as a historical art object, expect imperfections due to age and the handmade nature of this fantastic piece of history.\u003c\/p\u003e\n\u003cp\u003e(Censored with cherry blossoms)\u003c\/p\u003e","brand":"Japanese","offers":[{"title":"Default Title","offer_id":48895198986495,"sku":null,"price":99999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/ee8e2d43-6b57-427b-8b6e-3f303a44d589_bcbc5bc1-4325-4a32-bce6-7ffd5fe2d657.jpg?v=1785145070"},{"product_id":"ntique-japanese-shunga-book-notes-on-black-hair-taisho-showa-era-1910-30s-1","title":"Antique Japanese Shunga Book, \"Notes on Black Hair\", Taishō–Shōwa Era 1910-30s","description":"\u003cp\u003ePrice available upon request. This piece is currently being reviewed for museum acquisition; serious inquiries from private collectors welcome.\u003cbr\u003e\u003cbr\u003eA discreet little volume in a speckled green washi cover, its title, 黒髪抄 (Kurokami-shō, \"Notes on Black Hair\"), brushed by hand down the front. In Japanese poetry, black hair has long been shorthand for beauty and intimacy, and this book belongs to the shunga (\"spring pictures\") tradition: an illustrated erotic book (enpon) pairing pages of printed text with plates in blue, sepia, and red-brown line-work, from a frontispiece print to scenes woven through the story.\u003cbr\u003e\u003cbr\u003eThe handmade paper cover, brushed calligraphy, and printing style mark it as a private-press production of the early 20th century: the quieter, literary side of Japanese erotic publishing, made for discreet circulation rather than open sale. A genuine antique object, for collectors of Japanese print history and its candid corners.\u003cbr\u003e\u003cbr\u003eEstimated era: Taishō to early Shōwa, roughly 1910s–1930s. Read from the paper, binding, calligraphy, and printing.\u003cbr\u003e\u003cbr\u003eDetails: about 50 pages with illustrations. \u003cbr\u003e\u003cbr\u003eDimensions: 8\" × 6\"\u003cbr\u003e\u003cbr\u003eThis object belongs to a tradition called shunga (春画, literally \"spring pictures\", \"spring\" was a euphemism for s*x). More specifically, the booklet format is called an enpon (艶本 \/ 艶本, \"erotic book\"), which was the most common way shunga circulated, far more than the single famous prints people think of today. These works were widely circulated and formed an accepted part of popular visual culture. \u003cbr\u003e\u003cbr\u003eOn the timeline: the roots go back much further than the Edo period. As early as the 700s, the courtier class had handscrolls with explicit illustrations, and by the 17th century woodblock printing had emerged, making it easier to distribute the work quickly and widely. The Japanese tradition was also shaped from abroad, early Chinese sex manuals influenced Japanese erotic art. \u003cbr\u003e\u003cbr\u003eWhat makes the genre historically interesting is how mainstream it was. Despite being disapproved of by the military government, it was popular with all social classes during the Edo period. It wasn't a fringe underground product: newlyweds sometimes received shunga for educational purposes, samurai carried the illustrations into battle as lucky charms, and married couples kept books at home to view with visiting friends. Traveling lending libraries even brought the art to rural areas. That lending-library detail is worth holding onto, it's part of why so many of these survive in worn, well-thumbed condition like this one. \u003cbr\u003e\u003cbr\u003eThe legal backdrop matters for dating and for why explicit material kept being produced anyway. There were repeated governmental attempts to suppress shunga; the first was a Tokugawa edict in 1661 banning erotic books known as kōshokubon (\"lewdness books\"). The various bans only had the effect of driving an already-prolific trade clandestine. So production continued underground through the 18th and 19th centuries.\u003cbr\u003e\u003cbr\u003eThe famous shunga are luxury woodblock-printed books by named ukiyo-e masters: Utamaro's Utamakura (1788), Hokusai's work, and so on. This one is a fine printed edition, a carved type. That suggests it's a commercial art-print edition. That's common: alongside the deluxe printed books there was a large body of cheaper hand-copied erotic\/instructional material that ordinary people made and passed around. The hand-copied being less valuable as \"art\" than a signed printed Utamaro.\u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give. Sold as a historical art object, expect imperfections due to age and the handmade nature of this fantastic piece of history.\u003c\/p\u003e\n\u003cp\u003e(Censored with cherry blossoms)\u003c\/p\u003e","brand":"Unbranded","offers":[{"title":"Default Title","offer_id":48895199215871,"sku":null,"price":99999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/74978f63-1747-4288-a941-0bcffa5b2c19_bc190bbd-b8c1-486f-86d1-51e5a0b3a4a7.jpg?v=1785145078"},{"product_id":"antique-japanese-shunga-woodblock-book-color-nishiki-e-erotica-1860-1890s-1","title":"Antique Japanese Shunga Woodblock Book, Color Nishiki-e Erotica, 1860-1890s","description":"\u003cp\u003ePrice available upon request. This piece is currently being reviewed for museum acquisition; serious inquiries from private collectors welcome.\u003cbr\u003e\u003cbr\u003eA stitched woodblock book in the shunga (\"spring pictures\") tradition, the erotic branch of ukiyo-e worked by masters from Utamaro to Kunisada. Bound in the traditional Japanese fukurotoji style with a speckled paper cover and brushed title slip, it opens to richly printed scenes: full-color figures in patterned kimono, a Mt. Fuji landscape, and intimate interiors, all pulled from hand-carved blocks in the layered multi-color nishiki-e technique that defines classic ukiyo-e (the pleasure-seeking urban culture of Edo-period Japan).\u003cbr\u003e\u003cbr\u003eUnlike later line-drawn reproductions, this is genuine color woodblock printing, each hue a separate carved block, the hallmark of period Edo and Meiji work. A candid, beautifully produced artifact for collectors of ukiyo-e and Japanese print history.\u003cbr\u003e\u003cbr\u003eEstimated era: Late Edo to Meiji, roughly 1860s–1890s, around 140 years old, read from the paper, hand coloring, and stitched binding.\u003cbr\u003e\u003cbr\u003eDetails: 16 text pages and 12 color illustrations. \u003cbr\u003eDimensions: 7.5\" × 5\".\u003cbr\u003e\u003cbr\u003eThis object belongs to a tradition called shunga (春画, literally \"spring pictures\", \"spring\" was a euphemism for s*x). More specifically, the booklet format is called an enpon (艶本 \/ 艶本, \"erotic book\"), which was the most common way shunga circulated, far more than the single famous prints people think of today. These works were widely circulated and formed an accepted part of popular visual culture. \u003cbr\u003e\u003cbr\u003eOn the timeline: the roots go back much further than the Edo period. As early as the 700s, the courtier class had handscrolls with explicit illustrations, and by the 17th century woodblock printing had emerged, making it easier to distribute the work quickly and widely. The Japanese tradition was also shaped from abroad, early Chinese sex manuals influenced Japanese erotic art. \u003cbr\u003e\u003cbr\u003eWhat makes the genre historically interesting is how mainstream it was. Despite being disapproved of by the military government, it was popular with all social classes during the Edo period. It wasn't a fringe underground product: newlyweds sometimes received shunga for educational purposes, samurai carried the illustrations into battle as lucky charms, and married couples kept books at home to view with visiting friends. Traveling lending libraries even brought the art to rural areas. That lending-library detail is worth holding onto, it's part of why so many of these survive in worn, well-thumbed condition like this one. \u003cbr\u003e\u003cbr\u003eThe legal backdrop matters for dating and for why explicit material kept being produced anyway. There were repeated governmental attempts to suppress shunga; the first was a Tokugawa edict in 1661 banning erotic books known as kōshokubon (\"lewdness books\"). The various bans only had the effect of driving an already-prolific trade clandestine. So production continued underground through the 18th and 19th centuries.\u003cbr\u003e\u003cbr\u003eThe famous shunga are luxury woodblock-printed books by named ukiyo-e masters: Utamaro's Utamakura (1788), Hokusai's work, and so on. This one is a fine printed edition, a carved type. That suggests it's a commercial art-print edition. That's common: alongside the deluxe printed books there was a large body of cheaper hand-copied erotic\/instructional material that ordinary people made and passed around. The hand-copied being less valuable as \"art\" than a signed printed Utamaro.\u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give. Sold as a historical art object, expect imperfections due to age and the handmade nature of this fantastic piece of history.\u003c\/p\u003e\n\u003cp\u003e(Censored with cherry blossoms)\u003c\/p\u003e","brand":"Handmade","offers":[{"title":"Default Title","offer_id":48895199674623,"sku":null,"price":99999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/43a76ebb-bc34-4abd-97a5-b3685f9bcae3_e2948266-d567-4226-b769-d3e8186602a9.jpg?v=1785145089"},{"product_id":"antique-handwritten-arabic-manuscript-book-hand-bound-1","title":"Antique Japanese Hand-Painted Shunga Book, 19th C. Erotic Manuscript (Enpon)","description":"\u003cp\u003ePrice available upon request. This piece is currently being reviewed for museum acquisition; serious inquiries from private collectors welcome.\u003cbr\u003e\u003cbr\u003eThis appears to be a fantastic antique Japanese erotic manuscript, most likely from the Edo period (1603–1868). A few things point to that:\u003cbr\u003e\u003cbr\u003e*The text is written in kuzushiji \/ hentaigana: the cursive \"flowing\" script used before Japanese writing was standardized around 1900. It's very hard to read even for most modern Japanese speakers.\u003cbr\u003e*The paper is washi (handmade Japanese paper), and the binding style with the brass fastener and worn edges is consistent with a well-handled old booklet.\u003cbr\u003e*It's continuous prose in kana, consistent with a popular-audience Edo text meant to be read aloud or easily, typical of erotic\/instructional booklets.\u003cbr\u003e*The punctuation dots (、) breaking the lines are a period feature.\u003cbr\u003e*The vocabulary: つび (a period slang term for female g*nitals), つくぼ\/めぐろ referring to anatomical parts, verbs like すりくり (\"rub\"), いれる (\"insert\"), つかむ (\"grip\"), the instructional \"-せよ \/ -すすめ\" command forms... is unambiguous. This is a sexual technique \/ instructional text, the enpon (erotic manual) register you suspected, describing manual stimulation step by step. The anatomical line drawings illustrate the passage. That firmly places it as shunga-adjacent instructional material, almost certainly Edo period.\u003cbr\u003e\u003cbr\u003eThis object belongs to a tradition called shunga (春画, literally \"spring pictures\", \"spring\" was a euphemism for sex). More specifically, the booklet format is called an enpon (艶本 \/ 艶本, \"erotic book\"), which was the most common way shunga circulated, far more than the single famous prints people think of today. These works were widely circulated during the Edo period and formed an accepted part of popular visual culture. This one, with its instructional text and anatomical drawings, sits at the \"manual\" end of the genre rather than the purely pictorial end. \u003cbr\u003e\u003cbr\u003eOn the timeline: the roots go back much further than the Edo period. As early as the 700s, the courtier class had handscrolls with explicit illustrations, and by the 17th century woodblock printing had emerged, making it easier to distribute the work quickly and widely. The Japanese tradition was also shaped from abroad, early Chinese sex manuals influenced Japanese erotic art, which is relevant to your booklet specifically, since the \"how-to\" register you're looking at descends partly from those imported medical\/instructional texts rather than only from the pictorial ukiyo-e (the pleasure-seeking urban culture of Edo-period Japan) line. \u003cbr\u003e\u003cbr\u003eWhat makes the genre historically interesting is how mainstream it was. Despite being disapproved of by the military government, it was popular with all social classes during the Edo period. It wasn't a fringe underground product: newlyweds sometimes received shunga for educational purposes, samurai carried the illustrations into battle as lucky charms, and married couples kept books at home to view with visiting friends. Traveling lending libraries even brought the art to rural areas. That lending-library detail is worth holding onto, it's part of why so many of these survive in worn, well-thumbed condition like this one. \u003cbr\u003e\u003cbr\u003eThe legal backdrop matters for dating and for why explicit material kept being produced anyway. There were repeated governmental attempts to suppress shunga; the first was a Tokugawa edict in 1661 banning erotic books known as kōshokubon (\"lewdness books\"). The various bans only had the effect of driving an already-prolific trade clandestine. So production continued underground through the 18th and 19th centuries, which is the window your booklet most likely comes from. \u003cbr\u003e\u003cbr\u003eThe famous shunga are luxury woodblock-printed books by named ukiyo-e masters: Utamaro's Utamakura (1788), Hokusai's work, and so on. This one is hand-drawn\/hand-copied rather than a fine printed edition, the ink line is freehand and the text is a personal cursive hand, not carved type. That suggests it's a vernacular, possibly privately copied instructional manuscript in the enpon tradition, rather than a commercial art-print edition. That's common: alongside the deluxe printed books there was a large body of cheaper hand-copied erotic\/instructional material that ordinary people made and passed around. It's less valuable as \"art\" than a signed printed Utamaro, but arguably more interesting as a social document... it's the everyday, functional end of the tradition.\u003cbr\u003e\u003cbr\u003e14 pages\u003cbr\u003e7.5in x 5in\u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give. Sold as a historical art object, expect imperfections due to age and the hand-drawn nature of this fantastic piece of history.\u003c\/p\u003e\n\u003cp\u003e(Censored with cherry blossoms)\u003c\/p\u003e","brand":"Handmade","offers":[{"title":"Default Title","offer_id":48895200035071,"sku":null,"price":99999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/C84A813C-241A-4B08-A14E-35DC4EADF8F7.jpg?v=1787901265"},{"product_id":"antique-japanese-shunga-book-color-woodblock-orihon-accordion-fold-meiji-1912","title":"Antique Japanese Shunga Book, Color Woodblock Orihon Accordion Fold, Meiji 1911","description":"\u003cp\u003ePrice available upon request. This piece is currently being reviewed for museum acquisition; serious inquiries from private collectors welcome.\u003cbr\u003e\u003cbr\u003eA small Japanese erotic (shunga) picture book in accordion-fold (orihon) format with original blue paper covers, dating to the late Meiji period (circa 1911 \/ Meiji 44). Color woodblock-printed illustrations of figures in interior scenes, alternating with printed kuzushiji (cursive) text pages, several with hand-colored borders. Miniature \"mamehon\" pocket format. Shows age-consistent toning, wear, and handling. An authentic example of the printed enpon tradition from a period when such material was produced discreetly. \u003cbr\u003e\u003cbr\u003eEra: 1911 (per inscription), late Meiji. Around 115 years old, read from the date, paper and printing.\u003cbr\u003e\u003cbr\u003eDetails: folded orihon format, roughly 12 black \u0026amp; white pages and 20 color.\u003cbr\u003eDimensions: 5” x 2.5”. \u003cbr\u003e\u003cbr\u003eThis object belongs to a tradition called shunga (春画, literally \"spring pictures\", \"spring\" was a euphemism for s*x). More specifically, the booklet format is called an enpon (艶本 \/ 艶本, \"erotic book\"), which was the most common way shunga circulated, far more than the single famous prints people think of today. These works were widely circulated and formed an accepted part of popular visual culture. \u003cbr\u003e\u003cbr\u003eOn the timeline: the roots go back much further than the Edo period. As early as the 700s, the courtier class had handscrolls with explicit illustrations, and by the 17th century woodblock printing had emerged, making it easier to distribute the work quickly and widely. The Japanese tradition was also shaped from abroad, early Chinese sex manuals influenced Japanese erotic art. \u003cbr\u003e\u003cbr\u003eWhat makes the genre historically interesting is how mainstream it was. Despite being disapproved of by the military government, it was popular with all social classes during the Edo period. It wasn't a fringe underground product: newlyweds sometimes received shunga for educational purposes, samurai carried the illustrations into battle as lucky charms, and married couples kept books at home to view with visiting friends. Traveling lending libraries even brought the art to rural areas. That lending-library detail is worth holding onto, it's part of why so many of these survive in worn, well-thumbed condition like this one. \u003cbr\u003e\u003cbr\u003eThe legal backdrop matters for dating and for why explicit material kept being produced anyway. There were repeated governmental attempts to suppress shunga; the first was a Tokugawa edict in 1661 banning erotic books known as kōshokubon (\"lewdness books\"). The various bans only had the effect of driving an already-prolific trade clandestine. So production continued underground through the 18th and 19th centuries.\u003cbr\u003e\u003cbr\u003eThe famous shunga are luxury woodblock-printed books by named ukiyo-e masters: Utamaro's Utamakura (1788), Hokusai's work, and so on. This one is a fine printed edition, a carved type. That suggests it's a commercial art-print edition. That's common: alongside the deluxe printed books there was a large body of cheaper hand-copied erotic\/instructional material that ordinary people made and passed around. The hand-copied being less valuable as \"art\" than a signed printed Utamaro, but arguably more interesting as a social document. This piece has both the art and the hand-drawn everyday use tradition. \u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give. Sold as a historical art object, expect imperfections due to age and the handmade nature of this fantastic piece of history.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e(Censored with cherry blossoms)\u003c\/p\u003e","brand":"Handmade","offers":[{"title":"Default Title","offer_id":48895200100607,"sku":null,"price":99999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/EA1C6302-6E17-40DC-A8B6-5AD325617342.jpg?v=1787902089"},{"product_id":"antique-japanese-shunga-multi-volume-book-set-color-woodblock-erotica-meiji-1","title":"Antique Japanese Shunga Multi-Volume Book Set, Color Woodblock Erotica, Meiji","description":"\u003cp\u003ePrice available upon request. This piece is currently being reviewed for museum acquisition; serious inquiries from private collectors welcome.\u003cbr\u003e\u003cbr\u003eA set of small Japanese erotic (shunga) books, stab-bound (fukurotoji) with original paper covers, one retaining a printed title label. Color woodblock-printed plates of figures in interior scenes and patterned robes, alternating with hand-printed kuzushiji (cursive) text pages. Late Edo to Meiji period. Age-consistent toning, wear, and handling throughout. An authentic example of the printed enpon tradition, offered as an antique collectible \/ historical document. \u003cbr\u003e\u003cbr\u003eEstimated era: late Meiji to early Taisho, roughly 1900s to 1910s. Around 110 years old, read from the paper, printing and bindings.\u003cbr\u003e\u003cbr\u003eDetails, 3 volumes: Vol 1, about 2 text pages and 12 colour images (red tape); Vol 2, about 18 text pages, text only; Vol 3, about 22 text pages and 12 colour images (tape broken). Each about 5” x 3.5”. Original price: 20,000 yen.\u003cbr\u003e\u003cbr\u003eThis object belongs to a tradition called shunga (春画, literally \"spring pictures\", \"spring\" was a euphemism for s*x). More specifically, the booklet format is called an enpon (艶本 \/ 艶本, \"erotic book\"), which was the most common way shunga circulated, far more than the single famous prints people think of today. These works were widely circulated and formed an accepted part of popular visual culture. \u003cbr\u003e\u003cbr\u003eOn the timeline: the roots go back much further than the Edo period. As early as the 700s, the courtier class had handscrolls with explicit illustrations, and by the 17th century woodblock printing had emerged, making it easier to distribute the work quickly and widely. The Japanese tradition was also shaped from abroad, early Chinese sex manuals influenced Japanese erotic art. \u003cbr\u003e\u003cbr\u003eWhat makes the genre historically interesting is how mainstream it was. Despite being disapproved of by the military government, it was popular with all social classes during the Edo period. It wasn't a fringe underground product: newlyweds sometimes received shunga for educational purposes, samurai carried the illustrations into battle as lucky charms, and married couples kept books at home to view with visiting friends. Traveling lending libraries even brought the art to rural areas. That lending-library detail is worth holding onto, it's part of why so many of these survive in worn, well-thumbed condition like this one. \u003cbr\u003e\u003cbr\u003eThe legal backdrop matters for dating and for why explicit material kept being produced anyway. There were repeated governmental attempts to suppress shunga; the first was a Tokugawa edict in 1661 banning erotic books known as kōshokubon (\"lewdness books\"). The various bans only had the effect of driving an already-prolific trade clandestine. So production continued underground through the 18th and 19th centuries.\u003cbr\u003e\u003cbr\u003eThe famous shunga are luxury woodblock-printed books by named ukiyo-e (the pleasure-seeking urban culture of Edo-period Japan) masters: Utamaro's Utamakura (1788), Hokusai's work, and so on. This one is a fine printed edition, a carved type. That suggests it's a commercial art-print edition. That's common: alongside the deluxe printed books there was a large body of cheaper hand-copied erotic\/instructional material that ordinary people made and passed around. The hand-copied being less valuable as \"art\" than a signed printed Utamaro, but arguably more interesting as a social document. This piece has both the art and the hand-drawn everyday use tradition. \u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give. Sold as a historical art object, expect imperfections due to age and the handmade nature of this fantastic piece of history.\u003c\/p\u003e\n\u003cp\u003e(Censored with cherry blossoms)\u003c\/p\u003e","brand":"Handmade","offers":[{"title":"Default Title","offer_id":48895200329983,"sku":null,"price":99999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/2c49204f-a295-4669-8659-e0741351fd34_1b4b3c57-0482-401e-a0a5-e174f6af8314.jpg?v=1785145117"},{"product_id":"hand-painted-kutani-footed-geisha-sauce-cup-early-showa-1920s-30s-1","title":"Hand-Painted Kutani Footed Geisha Sauce Cup, Early Showa 1920s-30s","description":"Price available upon request. This piece is currently being reviewed for museum acquisition; serious inquiries from private collectors welcome.\u003cbr\u003e\u003cbr\u003eA footed sakazuki to be turned in the hand and admired from every angle: lift it and two figures bloom on the porcelain floor, a courtesan and her companion caught mid confidence, gilt chrysanthemums spilling up the well in crimson and gold. Consume, and the painting reveals itself slowly, the way the best secrets do. \u003cbr\u003e\u003cbr\u003eThis is Kutani ware, the gold flecked porcelain of Ishikawa whose painters have lacquered figures and flowers onto fine ceramic since the seventeenth century. The hand laid gilt and the intimate genre scene mark it as early Showa export work (1920s to 1930s), made for the connoisseur who liked his sauce served with a little theatre.\u003cbr\u003e\u003cbr\u003eEstimated era: early Showa, circa 1920s to 1930s, roughly 90 to 100 years old; read from the hand painting, the worn gilt, the unglazed footring and the red seal mark on the base.\u003cbr\u003e\u003cbr\u003eMaterials: hand painted and gilded porcelain.\u003cbr\u003e\u003cbr\u003ePatina note: One of one. Carrying the soft patina that only time can give; significant flaws are always detailed above.","brand":"Handmade","offers":[{"title":"Default Title","offer_id":48895200559359,"sku":null,"price":9999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/c126e0cd-cf41-46f7-aa82-0ab985bcdce9_e171fbbb-9405-4381-a6c8-28974c8c12e0.jpg?v=1785145128"},{"product_id":"handmade-japanese-ceramic-cocktail-cups-black-white-pair-1","title":"Handmade Japanese Ceramic Cocktail Cups, Black \u0026 White Pair","description":"A flirtatious little pair; conical ceramic cups balanced on silver ball feet, one ivory, one inky black. They read as mid-century modern or \"atomic age\"-influenced studio design. Sake, aperitivo, a single bold pour of something cold; they make a ritual of the smallest drink. Found in Tokyo. Small gold maker's seal on each base.\u003cbr\u003e\u003cbr\u003eEstimated era: Contemporary.\u003cbr\u003eDimensions: 3.5in x 3.5in each.","brand":"Handmade","offers":[{"title":"Default Title","offer_id":48895200624895,"sku":null,"price":198.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/61777e01-6ee9-4477-9cc0-3f3559089c73_2b61d36e-fd4c-4d0e-9aa3-ad6e8cec3af6.jpg?v=1785145136"},{"product_id":"1980s-japanese-hinomaru-rising-sun-folding-hand-fan-1","title":"1980s Japanese Hinomaru Rising Sun Folding Hand Fan","description":"One flick and the rising sun opens across your hand; a single red circle on pale paper, black ribs, a thread of gold along the edge. Bold, graphic, theatrical, equal parts cooling device and statement. Found in a boutique vintage collection in Tokyo. \u003cbr\u003e\u003cbr\u003eA Japanese folding fan (sensu) in the Hinomaru flag motif, a design rooted centuries deep in Japanese iconography. Stamped with a maker's mark. \u003cbr\u003e\u003cbr\u003eFolding fans (sensu) have been a Japanese export staple since the Edo period, but the decorative party fan had its real revival in the 1980s, when eveningwear leaned into statement pieces. \u003cbr\u003e\u003cbr\u003eEra: 1980s.\u003cbr\u003e\u003cbr\u003eDimensions: 17” x 10.25” open.\u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give; significant flaws are always detailed above.","brand":"Handmade","offers":[{"title":"Default Title","offer_id":48895200690431,"sku":null,"price":148.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/e1b00f46-913a-4817-9db1-5c1e01225d35_88cbac7e-6ff3-488d-a43e-2161dfea41df.jpg?v=1785145150"},{"product_id":"1980s-silver-leaf-folding-hand-fan-with-black-ribs-tokyo-1","title":"1980s Silver-Leaf Folding Hand Fan with Black Ribs, Tokyo","description":"A small theatrical gesture you can carry in a clutch or class up your space by putting it on display. Pleated leaves of metallic silver paper open from black lacquered ribs into a full, dramatic arc. Found in a boutique vintage collection in Tokyo. \u003cbr\u003e\u003cbr\u003eFolding fans (sensu) have been a Japanese export staple since the Edo period, but the metallic-leaf party fan had its real revival in the 1980s, when eveningwear leaned into metallic lamé and shine. \u003cbr\u003e\u003cbr\u003eEra: 1980s.\u003cbr\u003e\u003cbr\u003eDimensions: 20in x 11.25in open.\u003cbr\u003e\u003cbr\u003ePatina note: One of one. Carrying the soft patina that only time can give; significant flaws are always detailed. ","brand":"Handmade","offers":[{"title":"Default Title","offer_id":48895200755967,"sku":null,"price":98.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/0b087b1a-9baa-4c7b-9bd6-6ee2919322e1_4714080b-a835-4bbb-b9d1-037a7ae80e71.jpg?v=1785145158"},{"product_id":"1980s-japanese-metallic-geometric-folding-sensu-hand-fan-blue-gold-1","title":"1980s Japanese Metallic Geometric Folding Sensu Hand Fan, Blue \u0026 Gold","description":"A small theatrical gesture you can carry in a clutch or class up your space by putting it on display. Deep cobalt paper scattered with gold flecks like stars, layered with pale geometric sails that drift across the surface, all riding on slim black bamboo ribs. Open it and the room cools; close it and it disappears into a sleeve. Found in a boutique vintage collection in Tokyo. \u003cbr\u003e\u003cbr\u003eFolding fans (sensu) have been a Japanese export staple since the Edo period, but the metallic-leaf party fan had its real revival in the 1980s, when eveningwear leaned into metallic lamé and shine. \u003cbr\u003e\u003cbr\u003eEstimated era: 1980s.\u003cbr\u003e\u003cbr\u003eDimensions: 20in x 11.25in open.\u003cbr\u003e\u003cbr\u003ePatina note: One of one. Carrying the soft patina that only time can give; significant flaws are always detailed. Light scratching on ribs. ","brand":"Japanese","offers":[{"title":"Default Title","offer_id":48895201214719,"sku":null,"price":88.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/810618f4-3819-4602-af14-938869e24f2b_94a8e61b-b543-40a5-a9d8-91a5a01018c0.jpg?v=1785145169"},{"product_id":"1980s-japanese-folding-fan-blue-iris-gold-hand-painted-1","title":"1980s Japanese Folding Fan, Blue Iris \u0026 Gold, Hand-Painted","description":"Irises painted across a blue and gold ground, black lacquer ribs that close to a slim baton; a fan that behaves like a small landscape you can fold into your bag or admire as decor. Found in a boutique vintage collection in Tokyo. \u003cbr\u003e\u003cbr\u003eA hand-painted Japanese folding fan (sensu) in the classic floral idiom; irises have long signified elegance and early summer in Japanese art. This style of gold-ground, black-rib fan with a hand-painted floral scene is typical of a decorative or dance fan (mai-ōgi) rather than a plain everyday hand fan; the kind used in classical Japanese dance, display, or as a fine gift item\u003cbr\u003e\u003cbr\u003eEra: 1980s. \u003cbr\u003e\u003cbr\u003eDimensions: about 20” x 11.25” open.\u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give; significant flaws are always detailed above.","brand":"Handmade","offers":[{"title":"Default Title","offer_id":48895201280255,"sku":null,"price":98.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/60fb2487-320e-4d89-9917-278f75b8bdbb_62fae80e-b8e5-4453-beea-6cc4dfe7e37b.jpg?v=1785145179"},{"product_id":"japanese-washed-denim-baseball-cap-embroidered-tokyo-emblem-1","title":"Japanese Washed Denim Baseball Cap, Embroidered \"Tokyo\" Emblem","description":"Washed indigo, crowned with a small embroidered crest in a circle that reads, \"Tokyo\" stitched in white thread. Unisex, low slung, with an adjustable strap at the back. Bought in Tokyo.\u003cbr\u003e\u003cbr\u003eThe circular crest motif borrows from the kamon tradition, the Japanese family and guild emblems that have marked cloth and lacquer for centuries. \u003cbr\u003e\u003cbr\u003eEra: Contemporary.","brand":"Japanese","offers":[{"title":"Default Title","offer_id":48895201837311,"sku":null,"price":48.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/9e91180f-0d85-4164-9655-ba4e028ba61a_66aac66d-1b64-450b-b5ff-8ce3010b4e4e.jpg?v=1785145206"},{"product_id":"vintage-hand-painted-japanese-ceramic-shrimp-man-wish-vase-calligraphy-yunomi-1","title":"Vintage Hand-Painted Japanese Ceramic Shrimp Man Wish Vase, Calligraphy Yunomi","description":"May the wabi sabi shrimp man bring you luck in achieving all you desire. A rustic Japanese ceramic vase, hand-thrown and hand-lettered with two brushed phrases: “わたしのねがい” (my wish) and “天までとどけ” (may it reach the heavens). The glaze breaks over a sandy, unglazed foot, and a single blue stroke runs like water down one side. Found at a funky ceramics studio in Tokyo. Perfect for a stand-out stem or two. \u003cbr\u003e\u003cbr\u003eAn unsigned studio (yunomi-style) vase in the Japanese folk-pottery tradition, where the marriage of calligraphy and wabi-sabi glaze has been prized for centuries. Pieces like this are made one at a time and meant to be admired daily, growing more beautiful with use. \u003cbr\u003e\u003cbr\u003eEstimated era: late 20th century studio pottery (likely 1970s–1990s), read from the softened glaze, worn foot, and patinated unglazed clay. \u003cbr\u003e\u003cbr\u003ePatina note: One of one. Carrying the soft patina that only time can give; significant flaws are always detailed above.","brand":"Handmade","offers":[{"title":"Default Title","offer_id":48895201902847,"sku":null,"price":128.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/207f7194-0dbe-43e0-a5b3-19b08124fccc_cec8c7d3-bf54-4d53-bb59-b86914f758f3.jpg?v=1785145215"},{"product_id":"1900s-1920s-japanese-sakebin-celadon-glazed-flask-in-hemp-sling-nanaga-city","title":"1900s–1920s Japanese Sakebin, Celadon-Glazed Flask in Hemp Sling, Nanaga City","description":"A traveling vessel that has already seen a century of thirsts. A sakebin of the type carried by farming households and village headmen, the shōya, through Japan's late Meiji and Taishō years (early 20th century). Glazed stoneware kept the rice wine cool and the hemp jacket kept the glass from breaking on rough roads; surviving examples with their original sling intact are increasingly scarce.\u003cbr\u003e\u003cbr\u003eThe body is glazed in a soft celadon-green, cinched into a hand-stitched hemp sling with a worn rope strap meant to be slung over the shoulder for the long walk home. A little enamel medallion sits at its breast like a crest; the metal cap still seals, with original removable cork, and the ceramic still rings true when tapped. \u003cbr\u003e\u003cbr\u003eThis one carries its own small provenance: the enamel Maker's Mark tag reads Dainari Sake, Nanaga City, a local brewery marking now lost to easy record, the kind of detail that tends to disappear along with the small breweries themselves.\u003cbr\u003e\u003cbr\u003eEstimated era: Late Meiji \/ Taishō, c. 1900s–1920s. Roughly 100–120 years old, read from the hand-thrown glaze pooling, the oxidized cap, and the coarsely woven, sun-faded hemp. Bought from a boutique collector in Tokyo who confirmed. \u003cbr\u003e\u003cbr\u003eMeasurements: 7.5\" x 4.5\"\u003cbr\u003e\u003cbr\u003ePatina note: One of one. Carrying the soft patina that only time can give; significant flaws are always detailed above.\u003cbr\u003e\u003cbr\u003eEstimated era: late Meiji \/ Taishō, c. 1900s–1920s.\u003cbr\u003eAge: roughly 100–120 years old, read from the hand-thrown glaze pooling, the oxidised cap, and the coarsely woven, sun-faded hemp.\u003cbr\u003e\u003cbr\u003eMeasurements: 7.5in x 4.5in\u003cbr\u003e\u003cbr\u003eTag says: Dainari Sake, Nanaga City \u003cbr\u003e\u003cbr\u003ePatina note: One of one. Carrying the soft patina that only time can give; significant flaws are always detailed. Hemp has visible signs of wear and tear, as does the cork. ","brand":"Japanese","offers":[{"title":"Default Title","offer_id":48895201968383,"sku":null,"price":298.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/033c75e5-96a2-4bc7-b9bc-6dbe0842be07_8e923d29-ec9a-4308-ae86-41e839acd6c5.jpg?v=1785145226"},{"product_id":"hare-tokyo-abstract-print-oversized-unisex-short-sleeve-open-collar-shirt","title":"HARE Tokyo Abstract Print Oversized Unisex Short Sleeve Open Collar Shirt","description":"HARE is only available in Japan. A shirt that looks like a storm caught on film; smoky greys, bruised blues, and flashes of silver swirl across an oversized open collar silhouette. Somewhere between weathered concrete and a night sky over the city. Bought in Tokyo and cut generously, it drapes off the shoulders with that effortless boxy ease the Japanese do so well, equally open over a bralette or buttoned and tucked.\u003cbr\u003e\u003cbr\u003eHARE is a Tokyo based contemporary label known for clean, directional menswear and unisex pieces that translate street energy into wearable, well cut clothing. The abstract all over print and relaxed collar place it firmly in the modern Japanese streetwear tradition, where texture and drape matter as much as logo. A genuine Tokyo find you won't see twice.\u003cbr\u003e\u003cbr\u003eEstimated era: Contemporary.\u003cbr\u003e\u003cbr\u003eMaterials: 96% Polyester, 4% Elastane. Size F\u003cbr\u003e\u003cbr\u003eMeasurements: Length 30\", Chest 26\", Waist 27\", Hips 26\"\u003cbr\u003eSize \u0026amp; fit: Fits a S \/ M \/ L\u003cbr\u003e\u003cbr\u003eModel is a size 4 (S\/M), 5'11, 26\" waist, 38.5\" hips, shown oversized.\u003cbr\u003e\u003cbr\u003e--- SHORTENED VERSION FOR DEPOP (1000 char limit) ---\u003cbr\u003eHARE (Japan-exclusive Tokyo label) oversized open-collar shirt with an abstract all-over print in smoky greys, bruised blues, and silver. Cut generously, drapes off the shoulder; wear open over a bralette or buttoned and tucked. HARE is known for clean, directional menswear\/unisex streetwear. Bought in Tokyo. Estimated era: contemporary. Material: 96% polyester, 4% elastane. Size F. Measurements: length 30\", chest 26\", waist 27\", hips 26\". Size \u0026amp; fit: fits S\/M\/L.","brand":"HARE","offers":[{"title":"Default Title","offer_id":49069175177471,"sku":null,"price":98.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/9d04cf8f-0631-41b4-aed4-afe0e5262e70.jpg?v=1787440894"},{"product_id":"vintage-silk-linen-haori-jacket-brown-blue-color-block-sapphic-ukiyo-e","title":"Vintage Silk \u0026 Linen Haori Jacket, Brown \u0026 Blue Color Block, Sapphic Ukiyo-e","description":"Price available upon request. This piece is currently being reviewed for museum acquisition; serious inquiries from private collectors welcome.\u003cbr\u003e\u003cbr\u003e--- SHORTENED VERSION FOR DEPOP (1000 char limit) ---\u003cbr\u003eMen's reversible haori jacket: blue silk exterior, brown linen reverse. Full lining features a painted ukiyo-e bijin-ga scene (two women at a water's edge) in the Utamaro\/Eishi bathing-scene tradition - the traditional hidden 'secret lining' (ura), glimpsed only in movement. Wear open as a duster or layering robe to show it off. Estimated Showa era, c. 1950s-1960s. Smooth lustrous silk (habutae\/fine crepe) with dye-printed ukiyo-e lining. Found at an antique kimono collector in Tokyo. Relaxed one-size fit with wide sleeves. Length: 33\". Small stain on the blue side near the collar (see photos); one of one vintage piece, priced accordingly.\u003cbr\u003e\u003cbr\u003eA men’s haori in blue silk and brown linen. Outwardly austere and ceremonial; the drama is concealed inside, or outside if you're daring, as it's a reversible piece. The full lining reveals a painted ukiyo-e bijin-ga scene: two women at the water’s edge, one wringing a crimson wrap, the other kneeling with a woven basket, rendered in the Utamaro\/Eishi bathing-scene tradition. This “secret lining” (ura) was a hallmark of iki: restraint on the surface, private indulgence within, glimpsed only in movement. Worn open as a duster or layering robe, the ukiyo-e becomes the whole point.\u003cbr\u003e\u003cbr\u003eEstimated era: Shōwa period, c. 1950s–1960s. Smooth lustrous silk (habutae or fine crepe); the lining reads as a dye-printed ukiyo-e rather than hand-painted yuzen.\u003cbr\u003e\u003cbr\u003eThe haori is the open fronted jacket worn over a kimono, and its hidden linings have long been a private canvas for bold, even scandalous art. This handmade silk and linen piece carries a traditional ukiyo-e print in that lineage, where the most beautiful imagery was reserved for the side only the wearer would see.\u003cbr\u003e\u003cbr\u003eFound at an antique \u0026amp; vintage kimono collector in Tokyo. Reads as several decades old; judged by the hand construction, the silk and linen blend and the print style.\u003cbr\u003e\u003cbr\u003eMeasurements: Length 33\"\u003cbr\u003e\u003cbr\u003eSize \u0026amp; fit: relaxed, one size haori cut; drapes open with wide sleeves.\u003cbr\u003e\u003cbr\u003ePatina note: One of one. Carrying the soft patina that only time can give; significant flaws are always detailed. Small stain on blue side near the collar (see photo). \u003cbr\u003e\u003cbr\u003eModel is a size 4 (S\/M), 5'11, 26\" waist, 38.5\" hips.","brand":"Handmade","offers":[{"title":"Default Title","offer_id":49070435500287,"sku":null,"price":9999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/e5e09233-79e4-4caf-ab78-b2105edb5f2b.jpg?v=1787477015"},{"product_id":"reversible-black-silk-kimono-jacket-hand-printed-ukiyo-e-beauties-3","title":"Reversible Black Silk Kimono Jacket, Hand-Printed Ukiyo-e Beauties","description":"Price available upon request. This piece is currently being reviewed for museum acquisition; serious inquiries from private collectors welcome.\u003cbr\u003e\u003cbr\u003eA formal men’s montsuki haori in black silk, distinguished by five white family crests (itsutsu-mon): the highest tier of formality in traditional Japanese menswear, with crests at back, both sleeves, and both chest panels. The crest is a heart-shaped leaf motif ringed in white (likely an aoi\/wild-ginger or myōga family variant). Outwardly austere and ceremonial; the drama is concealed inside. The full lining reveals a painted ukiyo-e bijin-ga scene: two women at the water’s edge, one wringing a crimson wrap, the other kneeling with a woven basket, rendered in the Utamaro\/Eishi bathing-scene tradition. This “secret lining” (ura) was a hallmark of iki: restraint on the surface, private indulgence within, glimpsed only in movement. Worn open as a duster or layering robe, the ukiyo-e becomes the whole point.\u003cbr\u003e\u003cbr\u003eEstimated era: Shōwa period, c. 1950s–1960s. Smooth lustrous silk (habutae or fine crepe); the lining reads as a dye-printed ukiyo-e rather than hand-painted yuzen.\u003cbr\u003e\u003cbr\u003eLength: 35.5in\u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give; significant flaws are always detailed. Minor stitching marks on the interior, shown in photo.","brand":"Handmade","offers":[{"title":"Default Title","offer_id":49070436155647,"sku":null,"price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/a6007281-5e1b-45e1-ac03-eb88f9a67e45_d9208bc8-b501-41be-983c-1b8423872f15.jpg?v=1787477052"},{"product_id":"japanese-washed-forest-green-katakana-lucky-embroidered-cap","title":"Japanese Washed Forest Green Katakana \"Lucky\" Embroidered Cap","description":"Straight from Tokyo: a washed forest green cap embroidered with the katakana for lucky ( ラッキー, rakkii). The faded-style cotton has that perfectly broken in softness, the kind you reach for on the days that need a little good fortune. \u003cbr\u003e\u003cbr\u003eAge: Brand new.\u003cbr\u003eMaterials: garment washed cotton with embroidered lettering.\u003cbr\u003eSize \u0026amp; fit: adjustable strap back, one size fits most. \u003cbr\u003eDimensions: 10in circumference, adjustable. ","brand":"Unbranded","offers":[{"title":"Default Title","offer_id":49070477115647,"sku":null,"price":58.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/29300a05-1266-4af4-a2de-242e9e435fa0.jpg?v=1787478320"},{"product_id":"realistic-watermelon-earrings-japanese-food-novelty-from-tokyo","title":"Realistic Watermelon Earrings, Japanese Food Novelty from Tokyo","description":"A slice of summer for your ears, straight from Tokyo. This pair of watermelon-slice earrings is done in that uncanny Japanese \"fake food\" style: a Japanese obsession! Very Kawaii. Brand new and still sealed in their original packaging. Perfect as a quirky gift or a standout addition to your novelty jewelry collection.","brand":"Unbranded","offers":[{"title":"Default Title","offer_id":49070478786815,"sku":null,"price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/bb0ed722-c71b-41e3-9223-5bed8d00e401.jpg?v=1787478408"},{"product_id":"kyoto-geometric-metal-tea-matcha-chazutsu-tin-in-navy","title":"Kyoto Geometric Metal Tea \/ Matcha Chazutsu Tin in Navy","description":"A small ritual in the palm of your hand: a navy textured metal tea caddy (chazutsu) brought home from a tiny matcha farm outside Kyoto. The double lid seals tight to keep tea bright and fragrant, while the embossed geometric pattern catches the light like still water. \u003cbr\u003e\u003cbr\u003eThe chazutsu is a cornerstone of Japanese tea culture, designed to protect precious leaf and powder from light and air. This one came from Obubu Farms, a small grower in the Kyoto hills, the kind of provenance that turns a simple tin into a souvenir of place.\u003cbr\u003e\u003cbr\u003eAge: contemporary\u003cbr\u003eMaterials: metal tin with washi paper wrap; double lid.\u003cbr\u003eFeatures: airtight double lid; ideal for matcha, loose leaf, or sencha storage.","brand":"Japanese","offers":[{"title":"Default Title","offer_id":49070479933695,"sku":null,"price":88.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/f700a7ea-3332-4dcf-81db-6546f1065b69.jpg?v=1787478446"},{"product_id":"kyoto-pink-checkered-matcha-tea-chazutsu-tin","title":"Kyoto Pink Checkered Matcha Tea Chazutsu Tin","description":"A small ceremony in tin form: a traditional chazutsu (Japanese tea caddy) wrapped in pink and gold checkered washi, with the satisfying double lid that seals matcha or loose leaf against air and light. It keeps tea beautifully and looks like a jewel on the shelf while it does it. \u003cbr\u003e\u003cbr\u003eBought at Obubu Farms, a small tea farm in the hills outside Kyoto. The ichimatsu (checkerboard) pattern is a centuries old Japanese motif, and the double walled tin caddy is the classic vessel for keeping powdered and leaf teas fresh. A working object with real provenance.\u003cbr\u003e\u003cbr\u003eEstimated era: contemporary (traditional design).\u003cbr\u003e\u003cbr\u003eMaterials: metal tin with washi paper wrap; double lid.","brand":"Japanese","offers":[{"title":"Default Title","offer_id":49070480130303,"sku":null,"price":88.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/975da8a7-beae-433b-8054-8961bf4beed0.jpg?v=1787478456"},{"product_id":"vintage-black-silk-kuro-tomesode-kimono-embroidered-multicolored-hem-tokyo","title":"Vintage Black Silk Kuro Tomesode Kimono, Embroidered Multicolored Hem, Tokyo","description":"Perfectly preserved vintage black silk, with blooming orange, violet, and gold fan motifs against drifting ribbons of white. This is the formal black kimono, the kuro tomesode, marked with white family crests and reserved for the most ceremonial of occasions. \u003cbr\u003e\u003cbr\u003eThe kuro tomesode is the most formal kimono a woman can wear, traditionally worn to weddings, its black ground and crested shoulders signaling deep ceremony while the elaborately decorated hem (the suso moyo) carries auspicious and bright motifs. Hand worked examples like this one represent hours of embroidery and dyeing by skilled Japanese artisans. \u003cbr\u003e\u003cbr\u003eEstimated era: mid twentieth century, roughly 40 to 70 years old, read from the hand finished silk, the crest placement, and the construction.\u003cbr\u003e\u003cbr\u003eLength: 63in.\u003cbr\u003eMaterials: silk exterior with embroidered and dyed hem motif, contrasting beige silk lining.\u003cbr\u003e\u003cbr\u003eFeatures: five or three family crests (mon), suso moyo decorated hem, traditional wide sleeves and straight cut body.\u003cbr\u003e\u003cbr\u003ePatina note: One of one. Carrying the soft patina that only time can give; significant flaws are always detailed above.\u003cbr\u003e\u003cbr\u003e--- SHORTENED VERSION FOR DEPOP (1000 char limit) ---\u003cbr\u003eFormal black silk kuro tomesode kimono with hand-embroidered\/dyed hem (suso moyo) featuring orange, violet, and gold fan motifs on drifting white ribbons, plus white family crests (mon) at shoulders. The most formal kimono a woman can wear, traditionally worn for weddings. Estimated mid-20th century, roughly 40-70 years old, based on silk hand-finish, crest placement, and construction. Length: 63in. Materials: silk exterior with embroidered\/dyed hem, beige silk lining. Traditional wide sleeves, straight-cut body. Excellent vintage condition with natural patina; any notable flaws detailed in photos\/listing.","brand":"Japanese","offers":[{"title":"Default Title","offer_id":49070480359679,"sku":null,"price":285.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/4acbc87f-f958-4613-8f19-1766367a7642.jpg?v=1787478468"},{"product_id":"set-of-3-antique-victorian-green-glass-embossed-apothecary-jars-tokyo","title":"Set of 3 Antique Victorian Green Glass Embossed Apothecary Jars, Tokyo","description":"Three little jars in seafoam green, pressed glass catching the light like river water, each capped with a dark screw lid, worn with maximum character. Made to hold powders, pills, salves, or whatever small things a vanity keeps close. A trio that has clearly sat on someone's shelf for a very long time, embossed at the base and entirely functional.\u003cbr\u003e\u003cbr\u003eSmall embossed apothecary and cosmetic pots like these were turned out in great number from the late Victorian era through the early twentieth century, when chemists and dressing tables alike relied on glass. The faint green tint comes from the iron in old window glass, a maker's fingerprint of the period. Useful objects that have outlived their use and become beautiful instead. Sourced in Tokyo.\u003cbr\u003e\u003cbr\u003eEstimated era: late 1800s to early 1900s. Roughly 100 to 130 years, read from the green glass tint, the embossed bases, and the patina on the lids.\u003cbr\u003e\u003cbr\u003eDimensions: 1.25in each. Materials: pressed green glass, rusted metal screw lids.\u003cbr\u003e\u003cbr\u003ePatina note: One of one. Carrying the soft patina that only time can give; significant flaws are always detailed. Rusted lids from oxidation over a century+\u003cbr\u003e\u003cbr\u003e--- SHORTENED VERSION FOR DEPOP (1000 char limit) ---\u003cbr\u003eSet of three small seafoam-green pressed glass apothecary jars with dark screw lids, embossed at the base. Classic late-Victorian\/early-20th-century cosmetic\/apothecary pots; faint green tint comes from iron in old glass. Sourced in Tokyo. Estimated era: late 1800s-early 1900s, roughly 100-130 years old, read from glass tint, embossed bases, and lid patina. Dimensions: 1.25\" each. Materials: pressed green glass, rusted metal screw lids. One of one; lids show rust from oxidation over a century+ (see photos).","brand":"Unbranded","offers":[{"title":"Default Title","offer_id":49070481670399,"sku":null,"price":98.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/158b1514-cf0e-4992-91fb-2a5e0ac8dc25.jpg?v=1787478542"},{"product_id":"korean-eight-panel-newsboy-baker-cap-in-cream-from-seoul","title":"Korean Eight Panel Newsboy Baker Cap in Cream, From Seoul","description":"An old world silhouette in a soft new neutral: a cream eight panel newsboy cap with a rounded crown and a short stitched brim, found in Seoul, South Korea. It tips effortlessly from bookish to brazen depending on the angle you wear it. A little Parisian, a little K fashion, entirely charming. \u003cbr\u003e\u003cbr\u003eThe newsboy cap has wandered from the docks of the early 1900s to the runways of today, and Korean street style gave it this clean, minimal reincarnation. This one carries that Seoul sensibility.\u003cbr\u003e\u003cbr\u003eEstimated era: contemporary.\u003cbr\u003eMaterials: polyester shell with breathable mesh lining.\u003cbr\u003eDimensions: 2in lid, 10in circumference.\u003cbr\u003e\u003cbr\u003ePatina note: One of one. Carrying the soft patina that only time can give; significant flaws are always detailed above.","brand":"Unbranded","offers":[{"title":"Default Title","offer_id":49070481899775,"sku":null,"price":58.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/839b88f1-2781-4293-8031-707f579b99c9.jpg?v=1787478551"},{"product_id":"antique-ming-chinese-bronze-hairpin-pair-swirled-chrysanthemum-medallions","title":"Antique Ming Chinese Bronze Hairpin Pair, Swirled Chrysanthemum Medallions","description":"A pair of slender bronze hair sticks crowned with openwork medallions: one a coiling dragon, the other a chrysanthemum rosette. Old metal gone warm and dark, the kind of ornament that turns a coil of hair into something ceremonial. \u003cbr\u003e\u003cbr\u003eHairpins like these draw on a long Chinese tradition of the ji and zan, where a single pin held the hair and signaled status. The chrysanthemum motif is a classic imperial and longevity symbol; sold here as Ming Dynasty (1368 to 1644) style with that lineage in mind.\u003cbr\u003e\u003cbr\u003eEstimated era: antique, Ming style; likely a later antique or revival piece. Read as decades to a century old from the patina and casting.\u003cbr\u003eMaterials: bronze or brass alloy, hand finished.\u003cbr\u003eMeasurements: 6in long each. Bronze and gold plated. \u003cbr\u003e\u003cbr\u003ePatina note: One of one. Carrying the soft patina that only time can give; significant flaws are always detailed above.\u003cbr\u003e\u003cbr\u003e--- SHORTENED VERSION FOR DEPOP (1000 char limit) ---\u003cbr\u003ePair of slender bronze hair sticks with openwork medallions: one a coiling dragon, the other a chrysanthemum rosette. Draws on the Chinese ji\/zan hairpin tradition; chrysanthemum is a classic imperial\/longevity motif. Sold as Ming Dynasty (1368-1644) style, likely a later antique or revival piece, decades to a century old from patina and casting. Materials: bronze\/brass alloy, hand finished, bronze and gold plated. Measurements: 6\" long each. One of one antique piece; soft natural patina, flaws detailed in photos.","brand":"Unbranded","offers":[{"title":"Default Title","offer_id":49070482227455,"sku":null,"price":298.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/14155b87-6efe-47d3-aa15-9cb747d01dd5.jpg?v=1787478565"},{"product_id":"antique-japanese-folk-pottery-plate-taisho-era-1912-1926-mingei","title":"Antique Japanese Folk Pottery Plate, Taisho Era (1912-1926) Mingei","description":"A small piece of rebellion in clay: a buff glaze freckled with iron brown spots, then crossed by a few confident, almost calligraphic brushstrokes, as if the potter signed it with a gesture. Hand thrown, a little uneven, with the spiral foot and honest weight of real folk pottery. Use it as a jewelry dish, a stick of incense, or nothing at all and simply admire it. Found in Tokyo from a collector that identified it as Taisho.\u003cbr\u003e\u003cbr\u003eThis reads as Japanese mingei (folk craft) pottery from the Taisho era (1912 to 1926), the spotted decoration and loose brushwork are hallmarks of that wabi sabi, made by hand aesthetic.\u003cbr\u003e\u003cbr\u003eMingei, literally \"folk craft\", took shape at the close of Japan's Taishō era (1912–1926), when rapid industrialization and a flood of factory-made goods were displacing the country's regional handcraft traditions. In reaction, the philosopher and critic Yanagi Sōetsu, alongside the potters Hamada Shōji and Kawai Kanjirō, coined the term around 1925 to celebrate the beauty of ordinary, handmade objects created by anonymous craftsmen for everyday use. Ceramics sat at the very heart of this movement: Yanagi drew much of his aesthetic from unpretentious Korean Joseon-dynasty pottery and championed the humble, functional stoneware of Japan's rural kilns: pieces valued for their natural glazes, earthy materials, hand-thrown irregularities, and quiet, unforced grace rather than any artist's signature. What began as a Taishō-era response to modern life soon flowered into a defining craft philosophy, and Mingei ceramics remain prized today for exactly those qualities: honest, useful, beautifully imperfect vessels shaped by hand and tradition.\u003cbr\u003e\u003cbr\u003eAge: roughly 100+ years old; read from the hand throwing, the unglazed spiral footring and the iron spot glaze. Because of its age I do not recommend using it for culinary reasons.\u003cbr\u003e\u003cbr\u003eMaterials: hand thrown glazed stoneware \/ ceramic.\u003cbr\u003e\u003cbr\u003eSize \u0026amp; fit: small decorative \/ serving plate. \u003cbr\u003e\u003cbr\u003eDimensions: 6in. \u003cbr\u003e\u003cbr\u003ePatina note: One of one. Carrying the soft patina that only time can give; significant flaws are always detailed above.\u003cbr\u003e\u003cbr\u003e--- SHORTENED VERSION FOR DEPOP (1000 char limit) ---\u003cbr\u003eJapanese mingei (folk craft) pottery plate, Taisho era (1912-1926). Buff glaze freckled with iron-brown spots, crossed by loose calligraphic brushstrokes; hand-thrown with an uneven spiral foot, honest folk-pottery weight. Found in Tokyo, identified by a collector as Taisho. Use as a jewelry dish, incense holder, or display piece. Age: roughly 100+ years, read from hand-throwing, unglazed spiral footring, and iron-spot glaze; not recommended for culinary use due to age. Material: hand-thrown glazed stoneware. Dimensions: 6\". One of one; flaws detailed in photos.","brand":"Unbranded","offers":[{"title":"Default Title","offer_id":49070482587903,"sku":null,"price":128.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/f79824ca-cf28-4bff-88ff-9f21fac40c1c.jpg?v=1787478586"},{"product_id":"antique-mid-century-shoya-iron-skeleton-key-rusted-patina-tokyo","title":"Antique Mid Century Shōya Iron Skeleton Key, Rusted Patina, Tokyo","description":"A small iron skeleton key worn down to rust and shadow, with a rounded bow and a little ring still threaded through the top. It opened something once; now it just holds the story. Found in Tokyo; Shōya \/ Edo era inspired.\u003cbr\u003e\u003cbr\u003e\"Made in Tokyo\" stamps (rather than \"Made in Japan\") were common on export goods roughly 1950s–1960s.\u003cbr\u003e\u003cbr\u003eSkeleton keys were popular in age of the shōya and carry a piece of rural Japanese history. In the Edo period (1603–1868), the shōya was the village headman, the appointed leader of a farming community who managed land, taxes, and disputes on behalf of the domain, and whose sprawling wooden residence often served as the administrative heart of the village. Keys like this once secured the heavy doors, storehouses (kura), and strongboxes of those manors, hand-forged by local blacksmiths in iron and worn smooth by generations of use. More than a simple lock, such a key speaks to a time of tatami halls, thick timber beams, and the trust placed in a single household to safeguard a whole community's records and rice- a humble, beautifully utilitarian artifact of everyday life in old Japan.\u003cbr\u003e\u003cbr\u003eEstimated era: Mid century. Age reads antique, the hand-cut bit, forged ring, and deep oxidation place it there. \u003cbr\u003e\u003cbr\u003eDimensions: 3in long. \u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give; significant flaws are always detailed above.\u003cbr\u003e\u003cbr\u003e--- SHORTENED VERSION FOR DEPOP (1000 char limit) ---\u003cbr\u003eSmall antique iron skeleton key with a rounded bow and ring, worn to rust and shadow. Found in Tokyo; Shoya\/Edo era inspired - keys like this once secured doors, storehouses, and strongboxes of village-headman (shoya) manors in Edo-period Japan, hand-forged by local blacksmiths. Estimated era: mid-century; reads antique from the hand-cut bit, forged ring, and deep oxidation. Dimensions: 3\" long. One of one; soft natural patina, flaws detailed in photos.","brand":"Unbranded","offers":[{"title":"Default Title","offer_id":49070483341567,"sku":null,"price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/1a1d5d9f-e951-4c6c-9faf-975d4bc59f7a.jpg?v=1787478636"},{"product_id":"cobalt-gilt-porcelain-snuff-bottle-dragon-motif-with-spoon","title":"Cobalt \u0026 Gilt Porcelain Snuff Bottle, Dragon Motif with Spoon","description":"A tiny treasure; deep cobalt porcelain wrapped in a gilt dragon, no taller than a thumb. The domed stopper lifts to reveal a slender attached spoon, the original little ritual intact. Made to be admired. \u003cbr\u003e\u003cbr\u003eChinese snuff bottles were the pocket jewels of the Qing court and after; carried, traded, and collected for the artistry packed into something so small.\u003cbr\u003e\u003cbr\u003eEstimated era: 20th century. Reads mid century vintage reproduction in the Qing taste (1644 - 1912), the gilt dragon and spoon stopper place it there. \u003cbr\u003eDimensions: roughly 2.5\" tall. \u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give; significant flaws are always detailed above.","brand":"Unbranded","offers":[{"title":"Default Title","offer_id":49070483407103,"sku":null,"price":88.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/4d2828a2-6bb4-43d8-afa9-2f874c83a4f9.jpg?v=1787478637"},{"product_id":"vintage-sunflower-haori-kimono-jacket-grey-ivory-silk-with-red-details-1","title":"Vintage Sunflower Haori Kimono Jacket, Grey \u0026 Ivory Silk with Red Details","description":"An open front silk kimono jacket dappled in leopard print, grey and ash drifting across a pale ivory ground with dots of red. The sleeves fall wide, the silhouette loose enough to throw over slip dresses or bare shoulders alike.\u003cbr\u003e\u003cbr\u003ePatterned haori like this one belong to the meisen tradition that flourished in Japan from the Taisho period (1912–1926) through the 1950s. Meisen kimono and haori were woven from lower-grade silk using power looms and stencil-dyeing techniques imported from Europe, which made bold, all-over modernist patterns, drawing on Art Deco and Art Nouveau design, both technically possible and affordable for the first time. This let Japan's newly modern working women wear silk that looked strikingly current rather than traditional. Geometric and abstract motifs were part of that vocabulary. The patterning here fits squarely within that meisen sensibility: a Japanese textile tradition borrowing a bold, Western-coded motif and making it entirely its own.\u003cbr\u003e\u003cbr\u003eEstimated era: mid to late 20th century, read from the loose kimono construction, the hand of the cloth, and the faded, painterly quality of the pattern.\u003cbr\u003e\u003cbr\u003eMaterials: 100% Silk.\u003cbr\u003e\u003cbr\u003eSize \u0026amp; fit: One size.\u003cbr\u003e\u003cbr\u003ePatina note: One of one. Carrying the soft patina that only time can give; significant flaws are always detailed above.","brand":"Japanese","offers":[{"title":"Default Title","offer_id":49074659197183,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/e587f6ad-cfe8-44d5-ad0b-055d027dda4a_6879a652-d6c4-4b89-bae4-46d56d10ab03.jpg?v=1787512987"},{"product_id":"rare-vintage-long-silk-kimono-robe-ukiyo-e-geisha-scene-utamaro","title":"Rare Vintage Long Silk Kimono Robe, Ukiyo-e Geisha Scene, Utamaro","description":"Price available upon request. This piece is currently being reviewed for museum acquisition; serious inquiries from private collectors welcome.\u003cbr\u003e\u003cbr\u003ePeriwinkle silk that pools to the floor, wide sleeved and worn open like a robe. Down the back a painted bijin geisha in red and blue kimonos and artist's signature. A long Japanese-style silk robe printed with ukiyo-e beauty art, the bijin-ga tradition of painted women. Decorative and artful.\u003cbr\u003e\u003cbr\u003eThe history of the style: Bijin-ga (美人画), literally \"pictures of beautiful women,\" is one of the great subject categories of ukiyo-e, the woodblock print tradition of Japan's Edo period (1603–1868). Rather than portraits of specific individuals, bijin-ga idealized femininity itself, courtesans of the Yoshiwara pleasure quarters, geisha, and teahouse women were rendered through elaborate kimono, elegant posture, and stylized beauty, each artist bringing his own vision of the ideal woman to the genre.\u003cbr\u003e\u003cbr\u003eNo artist shaped bijin-ga more than Kitagawa Utamaro (c. 1753–1806). In the early 1790s, Utamaro pioneered the ōkubi-e (\"large-head picture\") format — close-up, half-length portraits that had never been done in ukiyo-e before. Where earlier bijin-ga favored full-figure, formally posed women, Utamaro zoomed in and captured intimate, candid emotion: a tilt of the head, a private gesture, a private moment between geisha at rest rather than performing. His work was controversial enough to draw government censorship  (his ōkubi-e style was banned in 1800, and he was jailed briefly in 1804) but it was this very innovation that made him the genre's most celebrated name, later championed abroad by Western collectors and credited with helping define how Japanese art was received in Europe.\u003cbr\u003e\u003cbr\u003eThe reading down the back panel: 「哥麿筆」, \"[Uta]maro hitsu,\" or \"brush of Utamaro,\" is the traditional signature format used to credit a bijin-ga work to its artist. On a printed silk robe like this one, that signature is reproduced as part of the decorative design rather than an original hand-painted inscription. a nod to Utamaro's legacy and the bijin-ga tradition. Long silk robes printed with this kind of ukiyo-e imagery were a popular decorative export item through the mid-to-late 20th century, bringing the aesthetic of Edo-period woodblock art into a wearable, everyday form.\u003cbr\u003e\u003cbr\u003eEstimated era: late 20th century.\u003cbr\u003e\u003cbr\u003eAge: likely 35 to 45 years, read from the silk and print style.\u003cbr\u003e\u003cbr\u003eMeasurements: Length 55\". \u003cbr\u003e\u003cbr\u003eMaterials: 100% Silk. \u003cbr\u003e\u003cbr\u003eModel is a size 4 (S\/M), 5'11\", 26\" waist, 38.5\" hips.\u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give; significant flaws are always detailed above.\u003cbr\u003e\u003cbr\u003e--- SHORTENED VERSION FOR DEPOP (1000 char limit) ---\u003cbr\u003eLong periwinkle silk robe printed with ukiyo-e bijin-ga imagery: a geisha figure in red and blue kimono down the back panel, with a reproduced Utamaro signature (\"[Uta]maro hitsu\") as part of the decorative print. Bijin-ga (\"pictures of beautiful women\") is a classic ukiyo-e genre from Japan's Edo period, and Kitagawa Utamaro (c.1753-1806) was its most celebrated artist. This robe reflects the mid-to-late 20th century export tradition of printing ukiyo-e art onto wearable silk. Estimated late 20th century, roughly 35-45 years old. Length: 55in. Material: 100% silk. Shown on a size 4\/S-M model, 5'11\", 26in waist, 38.5in hips. Good vintage condition with natural patina; flaws detailed in photos\/listing.","brand":"Japanese","offers":[{"title":"Default Title","offer_id":49074659328255,"sku":null,"price":9999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/2bf0b7ad-2c3d-4569-b3c2-d3cfb19fd13f.jpg?v=1787513006"},{"product_id":"vintage-silk-haori-kimono-robe-mature-shunga-print-champagne-cream","title":"Vintage Silk Haori Kimono Robe, Mature Shunga Print, Champagne \u0026 Cream","description":"Price available upon request. This piece is currently being reviewed for museum acquisition; serious inquiries from private collectors welcome.\u003cbr\u003e\u003cbr\u003eA tribute to the geishas. Champagne silk with a wide cream hem found in Tokyo. Across the back, a classic shunga scene rendered in vibrant color; figures from an old woodblock world, tender and frank. A robe for someone who likes their art a little wicked. Mature artwork, handled with taste. (Censored with cherry blossom stickers).\u003cbr\u003e\u003cbr\u003eA traditional haori (not floor length like a traditional kimono) made from silk with contrasting woven trim. The palette (taupe\/beige body with pale geometric trim) and construction suggest it was designed more as a fashion garment than a formal traditional kimono. The seasoned antique dealer in Tokyo said the piece is vintage and likely from the late 20th century.\u003cbr\u003e\u003cbr\u003eThe artwork panel on the back is in the style of Japanese “shunga” (春画 : literally “spring pictures”), which are erotic woodblock prints that were especially popular during the Edo period (1603–1868). Many famous ukiyo-e artists, including Hokusai and Utamaro, created shunga. The style of the figures (soft facial features, hair ornaments, robes, and floral textiles) is very much inspired by that era. The motif is decorative and historical rather than crude.\u003cbr\u003e\u003cbr\u003eAge: likely 35 to 45 years, read from the print method and design.\u003cbr\u003e\u003cbr\u003eLength: 41in.\u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give; significant flaws are always detailed. Some markings on the painted areas. \u003cbr\u003e\u003cbr\u003e--- SHORTENED VERSION FOR DEPOP (1000 char limit) ---\u003cbr\u003eChampagne silk haori with a cream hem, a tribute to geisha culture. Back panel features a shunga-style scene (traditional Japanese woodblock art popular in the Edo period, associated with artists like Hokusai and Utamaro) rendered in vibrant color, printed art censored with cherry blossom stickers. Decorative and historical in nature. Fashion-style haori (not floor length), silk body with contrasting woven trim. Estimated late 20th century, roughly 35-45 years old. Length: 41in. Good vintage condition; some markings on painted areas, natural patina from age.","brand":"Japanese","offers":[{"title":"Default Title","offer_id":49074659524863,"sku":null,"price":9999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/3e4a2807-4532-4eb1-98fb-856981736f57.jpg?v=1787513063"},{"product_id":"vintage-black-silk-haori-kimono-jacket-peach-lining-bamboo-print-1","title":"Vintage Black Silk Haori Kimono Jacket, Peach Lining, Bamboo Print","description":"Black silk that hides its pattern until the light catches it; bamboo and pine woven tone on tone across the body. Open the front and a blush peach lining spills out, the secret all good haori keep. Throws over everything, dresses up a plain day. Found in a boutique vintage collection in Tokyo.\u003cbr\u003e\u003cbr\u003eA traditional Japanese haori, the short jacket worn over kimono. The hidden patterned silk and contrast lining mark it as a fine piece.\u003cbr\u003e\u003cbr\u003eEstimated era: mid 20th century, roughly 1950s to 1970s, likely 50 to 70 years, read from the silk weave, hand-finished seams, and lining style.\u003cbr\u003e\u003cbr\u003eMeasurements: Length 35.5\". \u003cbr\u003e\u003cbr\u003eMaterials: 100% Silk.\u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give; significant flaws are always detailed above.","brand":"Japanese","offers":[{"title":"Default Title","offer_id":49074659590399,"sku":null,"price":248.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/0ed3f5b9-fab5-4b87-820e-df824816c742_04f2361a-49de-47b2-b9c9-5f264b2f2649.jpg?v=1787513085"},{"product_id":"discontinued-blue-elephant-stan-leopard-tortoiseshell-sunglasses-korea-1","title":"Discontinued Blue Elephant Stan Leopard Tortoiseshell Sunglasses, Korea","description":"Rectangular sunglasses from Blue Elephant in warm tortoiseshell acetate, the most wearable of the set. Bookish, a touch retro, flattering on everyone. \u003cbr\u003e\u003cbr\u003eBlue Elephant is the Korean eyewear label the Seoul fashion crowd keeps sold out. Style no longer available. \u003cbr\u003e\u003cbr\u003eIncludes original case, box and authenticity card.","brand":"Blue Elephant","offers":[{"title":"Default Title","offer_id":49074660016383,"sku":null,"price":148.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/6f5f11cf-ed22-4d49-9eab-08b3f32c1012.jpg?v=1787513241"},{"product_id":"discontinued-blue-elephant-demia-blue-tint-sunglasses-silver-frame-korea","title":"Discontinued Blue Elephant Demia Blue Tint Sunglasses, Silver Frame, Korea","description":"Slim silver sunglasses from Blue Elephant with a cool blue tinted lens; the icy, slightly futuristic one of the set. Sharp and light. Y2K vibe.\u003cbr\u003e\u003cbr\u003eBlue Elephant is the Korean eyewear label the Seoul fashion crowd keeps sold out. Style no longer available. \u003cbr\u003e\u003cbr\u003eIncludes original case, box and authenticity card.","brand":"Blue Elephant","offers":[{"title":"Default Title","offer_id":49074660081919,"sku":null,"price":148.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/3239efcf-1d7b-4bbf-af32-82ee1dc15ac7.jpg?v=1787513249"},{"product_id":"discontinued-blue-elephant-demia-grey-tint-sunglasses-silver-frame-korea","title":"Discontinued Blue Elephant Demia Grey Tint Sunglasses, Silver Frame, Korea","description":"Soft squared sunglasses from Blue Elephant in an unbothered silver metal, with a grey tinted lens that reads expensive in any light. \u003cbr\u003e\u003cbr\u003eBlue Elephant is the Korean eyewear label the Seoul fashion crowd keeps sold out. Style no longer available. \u003cbr\u003e\u003cbr\u003eIncludes original case, box and authenticity card.","brand":"Blue Elephant","offers":[{"title":"Default Title","offer_id":49074660212991,"sku":null,"price":148.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/69e44be9-d077-45a5-80cc-2e373355e51e.jpg?v=1787513307"},{"product_id":"discontinued-blue-elephant-demia-brick-tinted-sunglasses-silver-frames-korea","title":"Discontinued Blue Elephant Demia Brick Tinted Sunglasses, Silver Frames, Korea","description":"Soft square sunglasses from Blue Elephant, fine metal frames and a brick tinted lens that flatters everything. Sharp and a little nineties. \u003cbr\u003e\u003cbr\u003eBlue Elephant is the Korean eyewear label the Seoul fashion crowd keeps sold out. Style no longer available. \u003cbr\u003e\u003cbr\u003eIncludes original case, box and authenticity card.","brand":"Blue Elephant","offers":[{"title":"Default Title","offer_id":49074660278527,"sku":null,"price":148.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/ad389f6d-bb5e-471c-a61a-c1e5f41dde75.jpg?v=1787513308"},{"product_id":"oni-denim-embroidered-dragon-sukajan-satin-bomber-jacket","title":"Oni Denim Embroidered Dragon Sukajan Satin Bomber Jacket","description":"Fantastic, artistic, the best of Japanese streetwear. A bomber with a deep black satin ground, rich ivory\/champagne satin sleeves, each panel densely embroidered with a coiling dragon rendered in metallic gold, silver, and warm brown thread. Scales, claws, and sinuous body worked in fine chain-stitch embroidery across the back and sleeve. The reverse side layers in a delicate spray of cherry blossoms and floral accents in soft coral and cream, softening the dragon's ferocity with classic Japanese motif balance.\u003cbr\u003e\u003cbr\u003eRibbed collar, cuffs, and hem in black and cream stripe give it the classic varsity-meets-tradition silhouette, with a front zip closure and side hand pockets. \u003cbr\u003e\u003cbr\u003eThis is the sukajan tradition at its core: satin bombers with roots in postwar Japan, traditionally embroidered with dragons, tigers, cranes, and cherry blossoms as wearable mementos. This example carries that visual language with dense, well-executed embroidery work rather than printed graphics.\u003cbr\u003e\u003cbr\u003eSize: XL, fits S - L as oversized\u003cbr\u003e\u003cbr\u003e--- SHORTENED VERSION FOR DEPOP (1000 char limit) ---\u003cbr\u003eOni Denim sukajan (satin bomber) jacket: deep black satin body with ivory\/champagne satin sleeves, densely embroidered with a coiling dragon in metallic gold, silver, and brown chain-stitch thread across back and sleeve. Reverse features cherry blossoms and floral accents in coral\/cream. Ribbed collar, cuffs, and hem in black\/cream stripe; front zip closure, side hand pockets. Classic postwar-Japan sukajan tradition with dense embroidery rather than printed graphics. Size: XL, fits S-L oversized.","brand":"Oni Denim","offers":[{"title":"Default Title","offer_id":49074660442367,"sku":null,"price":248.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/6cd5a20b-f8f6-40da-91cf-be6e2365713e.jpg?v=1787513343"},{"product_id":"issey-miyake-two-toned-duster-layering-coat-black-charcoal-1","title":"Issey Miyake Two-Toned Duster Layering Coat, Black \u0026 Charcoal","description":"Black poly silk blend fabric pressed into fine accordion pleats, falling from the shoulders into an asymmetric handkerchief hem that swishes and points as you move. \u003cbr\u003e\u003cbr\u003eI bought this from a reputable boutique shop in SoHo NYC (Paracelso, from the longtime owner who recently passed). (The Legendary) Luxor confirmed they are Miyake, but unfortunately there are no tags. The fabric gives it away, but I will price it as non-designer. I love this piece, everything about it is superb. Anywhere, any weather. \u003cbr\u003e\u003cbr\u003eEstimated era: Bought in 2017, contemporary piece.\u003cbr\u003e\u003cbr\u003eMaterials: polyester silk blend\u003cbr\u003e\u003cbr\u003eSize: One size, open design\u003cbr\u003eMeasurements: 37\" length, 17\" pit to pit\u003cbr\u003e\u003cbr\u003eCarrying the soft patina that only time can give; significant flaws are always detailed above. ","brand":"Issey Miyake","offers":[{"title":"Default Title","offer_id":49074661163263,"sku":null,"price":128.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/45f9d26d-17b5-4fa3-a917-3154fc544d98.jpg?v=1787513486"},{"product_id":"handmade-pink-ceramic-kyoto-cherry-blossom-incense-holder","title":"Handmade Pink Ceramic Kyoto Cherry Blossom Incense Holder","description":"A little cherry blossom in pink ceramic, cupped to cradle a single stick of incense. A ceremony for a windowsill or a tabletop. \u003cbr\u003e\u003cbr\u003eAge: New, in original packaging.\u003cbr\u003e\u003cbr\u003eHandmade in Kyoto\u003cbr\u003e\u003cbr\u003eDimensions: 1.5in cherry blossom ","brand":"Other","offers":[{"title":"Default Title","offer_id":49084897427711,"sku":null,"price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/files\/efb5efa4-2022-46be-ba1f-90a67874cf48.jpg?v=1787629085"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/3636\/7359\/collections\/93488eb9-1bfc-4c99-bcc5-87bfec175c4f.jpg?v=1787893594","url":"https:\/\/glayum.com\/collections\/asia.oembed?page=2","provider":"GLAYUM","version":"1.0","type":"link"}